Alert: Piped music in Chelsea and Westminster A&E!

Alarm has been raised over plans by Chelsea and Westminster Hospital to introduce piped music into their A& E Department. Brian Eno is to bring ‘ambient landscapes’ into the department in an attempt to ‘calm distressed patients’. This is part of a general refurbishment aimed at making A&E more patient friendly. The hospital may be well-intentioned may be  but the results are likely to upset many people deeply.

Eno first produced his  ‘ambient music for airports’ – which he likes to distinguish from other  muzac  - nearly 40 years ago. He claims it can ‘accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting’. Whatever you think of such oxymoronic ambitions, you may not want to have to hear any music while waiting for a doctor. Powerless patients bombarded by such noise can suffer  real stress – their blood pressure often goes up sharply, distorting readings. Pipedown is trying to get a bill through Parliament to ban piped  music and televisions in hospitals and also in health centres. (Elsewhere we rely on  sweet persuasion, but people perhaps immobilised on a stretcher or in a bed, or just desperate to see a doctor, are in no position to argue reasonably. They certainly cannot leave for a quieter hospital.)

The hospital managers appear to have fallen for the piped music industry’s propaganda.

Write to the hospital’s Chief Executive Tony Bell to tell him that more people dislike piped music than like it – as impartial polls reveal –  at katie.drummond-dunn@chelwest.nhs.uk

 

 

North Korean style ‘research’ about piped music’s benefits

North Korea, the world’s last true Stalinist dictatorship, has a strange rival in producing polls to show that 99.9% of people love and support the glorious regime. It is the piped music industry! This too regularly publishes surveys quoting  figures from its supposedly ‘scientific research’  that muzac is adored by, say, 99% of  customers.

Typical is that from Musicworksforyou, the research site for the two main licence fee collectors, PRS and PPL. According to this sub-stalinist group, 71% of us like to listen to music whilst on hold, ’99% of staff who work in stores without music agree that they think customers would be happier if music was played in store’, and 93% ‘agree that if the music was turned off in their workplace, then they would ask their manager to turn it back on.’ Such incredible figures, which should strike any impartial person as deeply suspect if not fraudulent, are blazed on the group’s website and, it seems, believed by enough to ensure a plague of piped music. The fact that the research is directly linked to the piped music industry is simply ignored.

A typical statement about how everybody loves muzac comes from John Brodie, Chief Executive of Scotmid, which has introduced piped music into some Co-op stores.  In response to protests, Brodie said that Scotmid had research to show that customers loved piped music:  ‘We have also read a number of reports about the impact of music in public places and in one particular summary it mentions two key elements – “people rank music as more difficult to live without than sports, movies and newspapers” and “music enhances wellbeing amongst customers and employees in workplaces”.’

Note what is being suggested here. Because most people state they value music highly – which is no surprise – they must therefore love piped music. Such distortion of people’s real reactions to unwanted music comes from  Heartbeats International, ‘a global brand communication agency with offices in Stockholm, Tokyo and New York. Our mission is to help clients worldwide to use the power of music and sound to stand out in today’s crowded marketplace and increase customer engagement’.

All such agencies have so strong a vested interest in persuading stores/hotels/restaurants  to play piped music that it seems odd any sane person still takes their findings seriously.  The Co-op, like Marks and Spencer, is a chain fast losing touch with customer’ real wants. Instead, it prefers pseudo-scientific findings produced by a couple of academics, who are mainly funded by  the piped music industry. Coincidence? Almost certainly not, although the academics concerned no doubt believe their own research. Both the Co-op and M&S are in deep trouble commercially.  This is no coincidence either.

 

Two seminal academic research papers are often cited as proof that playing background music is good for business. However, it is useful to look at what the authors actually say.

Milliman (Ronald E) “Using background music to affect the behavior of supermarket shoppers” Journal of Marketing Vol 46 (Summer 1982) pages 86-91
In this paper Milliman concluded that playing music can influence the behaviour of shoppers. He reported a 38.2% increase in sales volume when slow tempo music was played, rather than fast tempo music.  And “There was no statistically significant difference in sales volume between [no music] and [slow tempo music]” In view of these findings why do most shops now play fast tempo music, which Milliman demonstrated is the worst type for sales volume? Who is advising them to play this type of music? And why play music at all when there is no statistically significant difference in sales volume between slow tempo music and no music, and when so many people dislike it?

Yalch (Richard F) and Spangenberg (Eric) “Using store music for retail zoning: a field experiment” Advances in Consumer Research Volume 20, 1993 Pages 632-636
This paper is often mentioned by the music industry because it demonstrated that people made more purchases when music was playing.  However, this is what Yalch and Spangenberg actually said:  “When music was played, about 55% of the shoppers made a purchase compared to 47% when no music was played. However, this difference is not statistically significant. Further, it did not affect total expenditures because the average amount spent per person making a purchase (as opposed to the number of shoppers) was highest in the NO MUSIC condition ($51.70 compared to $43.29 when music was being played)”.  At the beginning of this article Yalch and Spangenberg thank Ellen Goldblatt of MUZAK “for assisting in planning and executing this study”.  So, even though the piped music company, MUZAK, was involved in setting up this research, Yalch and Spangenberg ended up showing that shoppers actually spent more when no music was played!

 

 

Television muzac campaign

Loud, often inappropriate background music on television documentaries – which can become foreground music –  annoys many viewers. The BBC is probably the worst offender (partly because it is the biggest producer of documentaries), but it is showing signs of starting to listen.  After uproar greeted a new series of Brian Cox’s science programmes, where pounding music drowned the professor’s illuminating words, the BBC amended the sound track on later programmes. This shows what can be done.

Richard Hill-Brown has started a sub-campaign against this music. Do support him  richardhb@btinternet.com

Or complain directly to the BBC – it’s best to telephone, as all calls are logged – on 03700 100 222

QUIET NEW YORK published

Cover of Quiet New York

In May 2014 Siobhan Wall published Quiet New York,  a guide to quiet places of many sorts, from museums to cafés, from galleries to parks to libraries. Each of the 150 entries has a wonderful photograph, often in colour, and an evocative description.  Produced by Frances Lincoln, this is the fourth of her Quiet City Guides (after Amsterdam, London and Paris.)

In August 2014 she is publishing three smaller guides, additions to Quiet London: Food & Drink, Culture, Quiet Corners.  Like all her books, they are both elegant and useful.

Why music really does get louder as you get older

Older people actually hear music as louder, new reports show. Presbycusis, an age-related hearing problem, means that older people find background music drowns out conversation even at levels younger people do not notice.

Age-related hearing loss, called presbycusis, is characterised by loss of hair cells in the base of the cochlea, or inner ear, that are attuned to capture and transmit high-frequency sounds,

says Dr. Anil K. Lalwani, director of otology, neurotology and skull-base surgery at Columbia University Medical Center, New York.

Loss of high-frequency hearing leads to deterioration in the ability to distinguish words in conversation. Additionally, any noise in the environment leads to even greater loss in clarity of hearing. Contrary to expectation, presbycusis is also associated with sensitivity to loud noises.

see http://www.nytimes.com/2013/02/05/science/why-at-70-is-it-harder-to-hear-conversations-yet-music-is-too-loud.html?

 

As the overall population ages, governments and businesess should take notice.

Best Quiet Corner Competition

Julian Lloyd Webber and Prunella Scales will be among the judges of the Best Quiet Corner Competition in Autumn 2014.

Each category of place – pub, shop, restaurant, supermarket, bank, hotel etc – will be judged according to the reports now being solicited, and the Best in Category will be announced at a ceremony later in the year.